Relationships

Martine Syms’ newest exhibition, Ugly Plymouths

To anybody familiar with Martine Syms’ work, it is no surprise that she is a master in the use of combining the physical and the digital. In her previous work Project 106, her use of space forced the viewer to physically traverse the room in order to experience the exhibition in coherent order .

That particular example was inspired by the great migration of Black Americans from the South to the North in the mid-1900s. This one was a little different.